Objects & Attachment: True to Form
John Baldessari, True to Form (from Goya Series), 1997

John Baldessari, True to Form (from Goya Series), 1997

Part of why I’m drawn to objects is because we can count on them.  They’re reliable.  We don’t have to wonder what mood they’ll be in or how they’ll receive us.  We get to receive them.   This is why they can help us to ground so well - because they aren’t projecting anything onto us.  Whatever you’re getting from an object has to do with you, and if it’s not “you,” it’s your conditioning, societal programming, etc.  We can let go of the attachment of the object being a symbol of identity or status, and instead, simply true to form.  We can focus on the lines, the texture, the material and see it for what it is - an inanimate object. Letting go of attachment does not translate to detaching from warmth. It’s about detaching from the needing. We are whole as we are, and we don’t need any person, place, thing, or object to complete us. So when we let an object be true to form, without a story of how it should fill us, we leave room for us to be true to form as well.  That’s why this series is focused on attachment.  I’s about letting go - of how we think things should be, should look, should feel.  

We often assign meaning to the experiences we go through.  This is a very human thing to do and can sometimes help us to make connections in our lives in order to grow.  However, if we attach to the meaning,  we can miss the reality in front of us.  So we can find meaning in our experiences while simultaneously honoring them in the most stripped, literal way.  Because when we let go (of our agendas, motives, dreams), we see things as they are.   For instance, you can feel an intense connection with another person and then realize that the relationship has no place to go.  Perhaps the other person does not honor the connection, or perhaps they simply are not showing up in an honest way.  You don’t have to denounce the connection.  You can still honor it.  You can hold space for it.  So long as you realize that you don’t need it.  So if it doesn’t pan out the way you hoped, or if the other person doesn’t show up in a healthy way,  you can let go of the person, the story.  But the connection remains - it will always exist.  

By letting go of the stories and expectations of our objects, we are actually strengthening our connection to them.  We are seeing them in their purity, and in this space we can see ourselves more clearly.  We can honor ourselves as we are.  In a physical sense, we can honor the shape of our bodies, the curves and crevices and marks (just as we do with our objects), and then we can honor ourselves in the metaphysical sense - in our wholeness.  When we go to the metaphysical without first grounding in reality, we can get ourselves in spaces of delusion and fantasy, where things become skewed.  The point of going into the metaphysical is to be in our truth, where sometimes things just are without logical explanation or evidence.  When we enter this place while grounded in the present, we can access our inner knowing without the noise of confusion.  

So when we work with our objects, we can rely on their concrete nature.  This structure is what actually helps us to live with more ease and fluidity.  We can be here, now.  Free of our stories and past experiences.  Free of what others may think of us.  We forget about all of that.  We can be present.


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In Process: A Poem
in process_Paige Geffen_Object and Us

It is with my cup of tea that I take an inward breath before exhaling

It is while pouring the hot water that I experience the welcomed warmth of steam enveloping my face

It is how putting pen to paper transforms stagnation into fluidity.  

Our objects help us to be in process

They allow us to work with our hands

To find beauty in the mundane and meditation in the minutia.  

Our objects enable us to touch, to feel, to be in our bodies

The sensual experience of sliding a ring against the soft skin of a finger, 

of intertwining legs in warm linen sheets, 

of touching lips to the smooth ceramic surface of a mug

This is in process.


In process there are no shoulds or should nots

only inhales and exhales

even through the hardships

the heartbreaks

the messiness

the misunderstandings

In process there is breath

and therefore, breadth.

In process we experience

the small moments that teach us 

the presence of being alive 

and being alive does not always feel the way we want it to 

as it can be heart wrenching, unkind, gruesome, and painful

but in the presence of whatever arises, we come back to the essence of truth -

Objects are inanimate without us

home is inherently within us 

bring them inward 

to guide yourself home 

as even here, you are

in process.

Woman x Self Practice
Paige Geffen_Self Practice
Paige Geffen_Self Practice
Paige Geffen_Self Practice
 

I’m honored to be featured on one of my favorite websites, Self Practice. If you don’t already frequent the site or follow along on Instagram - get on it. The founder, Lauren Trend, is a dear friend, and she is truly a wonderful human being. I am always inspired by her content, but mostly by her commitment to her own practice, in order to inspire others to create their own practices. There are so many beautiful intersections with the work of Object & Us. Interview below, and you can view it here.

Name: Paige Geffen

Occupation/Business/Creative Outlet: Interior Designer, Art Director, and Founder of Object & Us 

Starsign: Leo (sun), Libra (rising), Gemini (moon)

Favourite Number: 21 

First thing you did this morning? I made myself a hot reishi drink and went outside to view the beautiful landscape here.

What does 'wellness' mean to you?
I see wellness as a holistic practice, yet there is no perfection.  We don't graduate, so I believe we are constantly working towards wellness. 'Wellness' has become a trendy commodity, but it's something that cannot be bought. No matter the amount of herbs and healthy foods you buy, wellness comes from within. To me, wellness is about taking care of myself despite how messy life may be, despite how many supplements or items I don't have access to. Lately it's been about grounding in the midst of groundlessness

Products found in your shower/by your bath? Every product by F. Miller skincare, Lesse Official face serum (need more!), Dr. Bronner's lavender soap

Three things that can always be found in your kitchen cupboard? Nettle & Oatstraw for infusions, Cinnamon, Himalayan Pink Salt.

Favourite kitchen utensil? This spoon from Wild Poppy Goods - I use it to scoop herbs, adaptogens, to grab the last bits of ghee from the bottom of the jar

Favourite Travel destination? I spent a month in Copenhagen 8 years ago, and I have been itching to go back.  I honestly haven't traveled much for leisure in a long time, but I just moved to the countryside outside of Santa Fe, NM, and it's breathtaking here.  I'm on an unknown, indefinite adventure.  I highly recommend moving to a place you've never been before - it's exhilarating.  

Currently reading? When Things Fall Apart by Pema Chodron, and An Object of Beauty by Steve Martin

Currently browsing (.com)? Locations for an upcoming shoot, and googling images of Timothee Chalamet ;)

Favourite breakfast food? Vegan/Paleo biscuit-like bread (I substitute flax meal for eggs in this easy-to-make box) or buckwheat with cinnamon & ghee, and breakfast sausages - in the spring/summer I make my go-to smoothie (avocado, blueberries, chard, almond butter, coconut butter, cinnamon, water).


Three items in your make up bag?  14ecosmetics foundation, a brow brush, some form of liquid/cream blush (still searching for the right brand).

An album/mix that calms your nervous system? Joni Mitchell's Blue.  I have her lyrics tattooed on my forearm, and my dog is named after her.  I am starting to tear up writing this. She is such a vision of freedom and independence, and I believe her voice can move mountains and bloom flowers simultaneously.  Also, Moon Safari by Air, anything Cat Power, anything Jon Brion.  I could go on and on... 

An album/mix that hypes you up? Swim by Caribou, It's Album Time by Todd Terje, anything Arthur Russell, Sebastien Tellier.  Again, I could go on and on...

Most commonly used apps on your phone?
Instagram, Spotify

Favourite form of movement/exercise?
Hiking, walking, and dancing - I like to keep it simple.

One thing you'd like to incorporate into your day/week that you're currently yet to?  Yoga - I used to practice and stopped when I was advised by doctors to limit my exercise due to health issues.  I feel ready to start again.  

Nighttime rituals?  I live by my rituals, and the work of Object & Us is rooted in rituals.  I wash my face and put on a face oil, listen to theta waves and/or a calming playlist, write a gratitude list.  

I feel most creatively fulfilled when... I'm cooking a meal for myself, I'm taking photographs (usually of still life's), I'm writing for Object & Us, or lying naked and thinking of/doing nothing and simply feeling connected to my body.

I'm currently working on... owning my darkness and embracing all of the parts of myself I was taught to be shameful of. I'm working on being whole in my magnificence, which means honoring the grit. I'm opinionated, I'm sharp, I'm fierce, I rage.  Someone recently told me that rage is apart of love and that I am so full of love and so full of rage. This duality is what drives me to do anything creative. This is also the duality of sexuality. I'm also working on embracing my desire - for lust, for love, for life. I don't mean chasing it, but meeting it.  

This time last year, I wish I knew... that ultimate surrender and giving up my ideas of what I felt I wanted would lead me to the most unexpected, terrifying, and beautiful places

I'm grateful for... my inner voice, the warmth of the sun on my face, my best friend and soulmate Joni (my pup), Lauren Trend (seriously). 

Objects & Attachment: Crumbling Expectations
Paige Geffen_Objects & Attachment

Some of you may know that my parents recently had all of our family home videos digitized because I posted a few of them on my stories.  A lot of them are fucking hilarious, and I simply couldn’t resist sharing them.  I sat through and watched nearly all of them (there are many) in one weekend, and I observed that I was almost always making weird noises and faces.  I was also almost always told to “stop doing that,” to “look at the camera,” and to “show my face.”  

So I learned to stop doing that.  Not just from the commentary of my parents, but from the confines of society.  Do you ever feel completely repressed because it’s socially unacceptable to make a weird noise/face/body movement in public?  I do. We are told to explore and to be creative, but within the confines of a box.  “Be yourself!”  “No, not like that.”  I’m sure you’ve heard this before.  Yes, social etiquette is in place for a reason, but these rigid lines also keep us small, safe, and sheltered.  They make us feel like we cannot veer outside of the box, but at the root, that we cannot fully be ourselves.  

Let’s try to blur those lines a bit.   We can start by working with our objects in new ways.  I’ve written about how most objects have a self-evident, assigned purpose, yet it is us who assign meaning through use.  So we can flip this “self-evident” model on its head by foregoing labeled use and instead tapping into the wisdom of our bodies.  We can allow ourselves to veer of course by assigning nontraditional purposes to some of our objects, in order to practice a deeper sense of connection with our natural instincts.  Perhaps your mug will become your new vase, your kitchen bowl will instead hold extra toilet paper rolls in the bathroom.  Tap into your inner wisdom while observing your objects - how will each object best serve you?  If you want to put your salt holder on top of a stack of books to also hold your rings - do that. If you want to use a chair as your bedside table - go ahead. Challenge your own perceptions.  This will ignite dormant creativity for you to tap into, while helping you to break free from the confines you place on yourself, as well as on your possessions.  

Here’s an exercise you can practice if you want to go deeper:

Where do you hold yourself back?  Where do you limit your fluidity in order to keep yourself safe?  Use these questions as journal prompts.  Then see where you can challenge what comes up beyond your mental perceptions, but rather by how you operate in your space.  

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