I’ve been in love with Emme Parsons footwear as soon as she launched. Her pieces are elegant and sophisticated, yet very wearable. Emme works with “small family-run factories and tanneries that are ethically run and adhere to the highest environmental standards.” Each pair is handmade in Tuscany, Italy. Browse beautiful shoes here. Interview below.

"To collect mindfully rather than consume mindlessly" is the philosophy behind Paige Geffen's Object & Us, a consultancy that seeks to redefine the individual's relationship to the things that they acquire. After years as an art director and interior designer in Los Angeles, Geffen recently moved to Sante Fe, where the new landscape and desert stillness further inspires her approach to finding balance and personal connection to the material world.

How would you describe your style?

Right now I'd describe it as 70s Lauren Hutton meets 90s Prada. Androgynous, sleek, and subtly sexy. I love classic lines and menswear-inspired items. I live in vintage levi's and trousers, but sometimes I like to put on a beautiful dress or pair my pants with a very feminine silhouetted top.

Who is currently inspiring you? Sartorially, culturally, or otherwise?

The open landscape of the American Southwest. People I've met here in New Mexico who were, like me, drawn to the land, the history, and the magnetic pull to be here. Sartorially, I've been really inspired by Timothee Chalamet's style. He wears a suit magnificently well.

 What is your current favorite shoe from Emme Parsons?

Right now I’m really into the Certo in Cream because it can transition well between seasons.

How would you style it for a full day on the go?

With vintage Re-work B Sides straight-leg ankle jeans, a Shaina Mote statement top, and perhaps a pop of color in an accessory such as a Clyde beret.

Guilty (or not so guilty) pleasure?

I have an obsession with Honey Mamma’s chocolate bars. Most people say they’re so rich that they can only handle bits at a time, but I usually eat the entire bar in one sitting.

 Can you tell us about Object & Us and how it came to be?

Object & Us teaches us about our internal selves by exploring our external surroundings. It's a bridge to the metaphysical through the physical. Our motto is "to collect mindfully rather than to consume mindlessly." We can look to our objects as tools that help us to live intentionally and to practice mindfulness. We are so accustomed to identifying ourselves with our stuff, yet our things have nothing to do with who we are. Who we are comes from within.

I had my interiors business for a few years, and I wanted to translate that into something more fulfilling to me. It's a very consumer-driven business, and I wanted to shift that. I wasn't quite sure how it would look, but I knew I wanted to explore objects and space. I felt an inner turmoil about loving furniture and clothing and objects, while also having a deep respect for the environment. It felt like a terrible contradiction. I became obsessed with marrying beauty with intention—that they could be one in the same. That we could live mindfully and consciously without having to live in stark, empty spaces. As I was developing all of this, I went through an incredibly difficult personal trial. I didn't have a home for nearly a year and then had to get rid of all of my belongings, all while being extremely sick. This experience really pushed the concept forward, as I was getting deep, grueling lessons on what I was exploring. Object & Us was born from this place—a place of rawness and truth.

 What are some of your most treasured objects and why?

I got rid of nearly all of my belongings prior to moving to New Mexico due to mold exposure. I’m treasuring everything I have right now because I know what it’s like to part with meaningful objects. It’s interesting to start entirely fresh and to only have items that are new to me, so I’m building relationships with the items around me to create a sense of stability and grounding. These are the objects that stand out to me:

My Rachel Saunders Ceramics vase filled with dried lavender from the garden, a beautiful Picasso book I got for $2 in Sedona at the most amazing used bookstore, the old chair next to my bed that holds my candles, a drawing of Joni (my dog) and myself that Amber Lu made for me - it makes me smile every time I look at it, and most recently, the Petite Jess Barrette by Winden.

 Best kept secret in New Mexico?

My friend's family farm. I went there my first night here, and I couldn't have dreamt up a better night—it was an epic introduction to New Mexico. I drove down a private dirt road surrounded by stunning mountains to get there. When I arrived, I was greeted by a beautiful meal cooked over an open fire and an interesting mix of strangers. We were brought together by the food and the scenery for a night full of laughter and connection. We concluded the evening in a wooden hot tub under the starry sky, as we watched the moon rise over the mountains. I hope to have many more nights like this in the spring/summer here.

Describe your perfect winter day in New Mexico.

Breakfast/tea outside (or if it's too cold, in the dining room looking out the windows to the beautiful landscape) with my journal. Perhaps heading to a local cafe in town to get my people watching fix or going to Ten Thousand Waves for some luxurious (yet affordable) relaxation. Cooking a nourishing dinner while blasting music. Eating in front of the fireplace.

Last year I created a conscious holiday gift guide to suggest ethical items by independently owned brands for you to gift to your loved ones.  I felt called to take a break from providing you with more gift ideas this year.  We are so pressured during the holiday season to shop and consume, so I wanted to instead present a self-care tool guide for you to unwind and ground with.  You can find most of these items already in your home.  I’ve included a simple ritual you can perform with each object.  The rituals are meant to be simple and fuss-free, for anyone to enjoy.  While this is not meant to be a gift guide, if you do feel inclined to gift any of these items to friends and family members, consider hand-writing a note of the ritual listed (or create your own) to encourage self-care and nourishment this time of year to those around you or far away. Escape the whirlwind of holiday parties, unhealthy food, and uncomfortable family dynamics, and treat yourself to these acts of tension relief while listening to the dreamy playlist here.

One of my favorite simple practices is putting fresh, warm sheets on my bed.  The act of doing so always makes me feel connected to the place where I recharge my body. While I do this once a week for all of the linens on my bed, I change my pillowcases every few days to keep where I’m resting my head clean.  These pillowcases from Deiji Studios come in so many beautiful colors.  They’re made from 100% stonewashed French linen and will soften with wash/use.  They’re also hypo-allergenic and environmentally friendly.

Whether you’re grabbing pillowcases warm from the dryer or folded in your linen closet, familiarize yourself with the fabric.  Run your hands over the material, lift it up to your nose to get a sense of the smell.  As you slip them onto your pillows, set an intention for your evening of rest (regardless of the time of day).  Your intention can be as simple as getting a night of deep, restorative rest, or asking for your dreams to reveal some truth to you. 

Scent is a powerful yet often overlooked sense.  It is known to trigger memories and emotions and can take us to nostalgic and/or new places.  I love this incense from Haeckles - the only ingredient is lemon balm, which is used to reduce stress and increase calmness.  I also steep lemon balm into my daily infusions for a full body effect.  Read about Haeckles and their incredible story here, yet feel free to use any incense of your liking.

Take the time to light your incense and use it as a signal to pause for the day.  As the scent of your choice starts to fill the room, sit down and meditate.  Whether you do this for 3 minutes or 30 minutes, be grateful for the stillness. Pay attention to your breath, and as the thoughts come in, detach from them and release them.  Keep coming back to your breath, as it will connect you to your body.   

I light candles every night prior to going to bed.  It’s a simple ritual I’ve come to rely on, and it creates a bit of romance as an act of care to end each day. I’ve been lighting beeswax candles because they not only burn clean, but they also purify the air. Big Dipper Wax Works collects 75% of their beeswax from the Pacific Northwest and British Columbia because the crops there rank lowest in exposure to pesticides in North America.  They’re currently working on creating fair trade partnerships with beekeepers in foreign countries, where they source the rest of their beeswax.  Their product is extensively tested to insure high quality.

Prior to lighting your candles, plant your feet on the floor and breathe that grounding energy to every part of your body.  As you light them, ask for truth to be illuminated to you in anyway it needs to come through.

Simple acts we perform every day can become rituals that feed us, even in the smallest ways.  This comb by Une Heures is so beautiful that it inspired me to add hair combing into this post, yet the ritual below can be done with any comb/bush you already have.

Pay attention to the way the comb feels against your scalp and the way it catches strands of hair to smooth your locks as you brush.  Start out in front of the mirror so you can observe the process, but then close your eyes in order to feel into your body. Remember to pause each time you use an object as a tool to help serve you.

Taking a bath is perhaps the most referred to and obvious act of self care.  For those of us who have a tub and access to clean, running water - it’s truly an accessible luxury.   I was fortunate to try these bath salts by Vessel Surface Care, and I used them up in about a week (I took a lot of baths in that week).  These salts are enriched with bentonite clay, ginger, dandelion leaf, and essential oils of cypress and rosemary for aiding in the detoxification process.  This bath soak is perfect for this time of year, as we aim to unwind from all of the excess around us (sweet treats, alcohol, and perhaps even unwanted energies from family gatherings and holiday parties).  Each product by Vessel is formulated by Seattle-based health coach, Lizzy Ott.

Rather than checking your phone while waiting for the tub to fill, open your bath salts (or soap, etc.) and smell them.  Close your eyes and allow the aroma to fill your nostrils, and continue to breathe this scent into your chest.  Exhale and repeat until you feel calm and centered.  When the bath is ready, use your hands to administer the salts into the water, as opposed to pouring them directly from the bottle.  Get your body aquatinted with the product prior to soaking in it.  These acts enable a simple way to ground into your body prior to the even deeper grounding you’ll be doing when submerged in water.

I wanted to include bowls in this round-up because one of my favorite things to eat during this time of year is soup.  I’ve been making a delicious squash soup with garlic, onions, ginger, and thyme.  My body craves it.  Soup or not, eating out of a bowl is my favorite way to eat.  I have buckwheat cereal nearly every morning, and for dinner I usually make a warming mixture of veggies, grains, and herbs.   There are a ton of ceramic bowls in my kitchen cupboard (hand thrown by my housemate), and I love how irregular they are.  Each one has its own personality and feeling.  I often write about running hands/fingers over the texture of our objects, and ceramics are one of my favorite items to do this with.  The bowls featured above are by local Santa Fe artist, Kimmy Rohrs of Whiskey & Clay.  I adore all of her work.

As mentioned already, run your fingers on the surface of your bowl to take in the texture.  Notice how it feels against your fingertips and how that translates into the rest of your body.  Is it rough, soft, smooth?  Try to hold or touch the bowl with one hand as you use your other to fill it with your meal.  We can always slow down with our objects in the simplest ways.

I practice journaling nearly every day. Nearly, because I’m human and sometimes life happens, but I do commit to it as a daily practice. It helps me to center in a way that nothing else (not even meditation) does. I’ve been practicing this for over five years, and it changed the trajectory of my life when I started. These are the only journals I write in.

Check-in with your inner self. How’s your heart? When you answer, start writing with your non-dominant hand. This will feel weird at first, but it will help the truth to come through. If you don’t know where to start or if answers are not coming through easily, just scribble, draw, etc. (with your non dominant hand). It may trigger words to come, or it may be all you need to get your weirds out. Some other prompts that may be fitting for this time of year: “what do I need to feel safe?” “what would be true if I slowed down?” “how can I show up for myself in the most authentic way?” “how can I nurture my simplest needs?”

John Baldessari, True to Form (from Goya Series), 1997

Part of why I’m drawn to objects is because we can count on them.  They’re reliable.  We don’t have to wonder what mood they’ll be in or how they’ll receive us.  We get to receive them.   This is why they can help us to ground so well - because they aren’t projecting anything onto us.  Whatever you’re getting from an object has to do with you, and if it’s not “you,” it’s your conditioning, societal programming, etc.  We can let go of the attachment of the object being a symbol of identity or status, and instead, simply true to form.  We can focus on the lines, the texture, the material and see it for what it is - an inanimate object. Letting go of attachment does not translate to detaching from warmth. It’s about detaching from the needing. We are whole as we are, and we don’t need any person, place, thing, or object to complete us. So when we let an object be true to form, without a story of how it should fill us, we leave room for us to be true to form as well.  That’s why this series is focused on attachment.  I’s about letting go - of how we think things should be, should look, should feel.  

We often assign meaning to the experiences we go through.  This is a very human thing to do and can sometimes help us to make connections in our lives in order to grow.  However, if we attach to the meaning,  we can miss the reality in front of us.  So we can find meaning in our experiences while simultaneously honoring them in the most stripped, literal way.  Because when we let go (of our agendas, motives, dreams), we see things as they are.   For instance, you can feel an intense connection with another person and then realize that the relationship has no place to go.  Perhaps the other person does not honor the connection, or perhaps they simply are not showing up in an honest way.  You don’t have to denounce the connection.  You can still honor it.  You can hold space for it.  So long as you realize that you don’t need it.  So if it doesn’t pan out the way you hoped, or if the other person doesn’t show up in a healthy way,  you can let go of the person, the story.  But the connection remains - it will always exist.  

By letting go of the stories and expectations of our objects, we are actually strengthening our connection to them.  We are seeing them in their purity, and in this space we can see ourselves more clearly.  We can honor ourselves as we are.  In a physical sense, we can honor the shape of our bodies, the curves and crevices and marks (just as we do with our objects), and then we can honor ourselves in the metaphysical sense - in our wholeness.  When we go to the metaphysical without first grounding in reality, we can get ourselves in spaces of delusion and fantasy, where things become skewed.  The point of going into the metaphysical is to be in our truth, where sometimes things just are without logical explanation or evidence.  When we enter this place while grounded in the present, we can access our inner knowing without the noise of confusion.  

So when we work with our objects, we can rely on their concrete nature.  This structure is what actually helps us to live with more ease and fluidity.  We can be here, now.  Free of our stories and past experiences.  Free of what others may think of us.  We forget about all of that.  We can be present.

If you’re looking for personalized guidance and/or to dive deeper into the work, feel free to contact me or to book a private session.

It is with my cup of tea that I take an inward breath before exhaling

It is while pouring the hot water that I experience the welcomed warmth of steam enveloping my face

It is how putting pen to paper transforms stagnation into fluidity.  

Our objects help us to be in process

They allow us to work with our hands

To find beauty in the mundane and meditation in the minutia.  

Our objects enable us to touch, to feel, to be in our bodies

The sensual experience of sliding a ring against the soft skin of a finger, 

of intertwining legs in warm linen sheets, 

of touching lips to the smooth ceramic surface of a mug

This is in process.

In process there are no shoulds or should nots

only inhales and exhales

even through the hardships

the heartbreaks

the messiness

the misunderstandings

In process there is breath

and therefore, breadth.

In process we experience

the small moments that teach us 

the presence of being alive 

and being alive does not always feel the way we want it to 

as it can be heart wrenching, unkind, gruesome, and painful

but in the presence of whatever arises, we come back to the essence of truth -

Objects are inanimate without us

home is inherently within us 

bring them inward 

to guide yourself home 

as even here, you are

in process.